Corporate & theatre
Corporate & Theatre
Polished production lighting for conferences, galas, award nights and theatre seasons.
Corporate events and theatre productions demand a different kind of precision. A keynote that has to read clean on camera. An awards gala where the reveal lands on the second. A theatre season with hundreds of cues that has to run the same way every night.
We bring the same crew and the same standard to a 200-seat black box and a 2,000-pax ballroom. The brief sets the scale; the discipline doesn’t change.
How we run corporate & theatre
Run sheet first.
We work from your run sheet and brand guide: speaker walk-ups, AV cues, brand colour, camera plan. The lighting is built around the show flow, not bolted on.
Rig that reads on camera.
Key, fill and back balanced for the room and the broadcast feed. Clean light on presenters; drama held for the reveals.
Operated to the cue.
An operator on the desk through rehearsal and show, taking calls from the stage manager so every transition is timed, not improvised.
Same every night.
For a season, the show file is documented and locked so night twelve looks exactly like opening night.
What we cover
Conferences & Keynotes
Clean, professional stage lighting designed for presenters and cameras.
Awards & Galas
Dramatic lighting with smooth transitions, walk-up cues and stage presence.
Theatre Seasons
Full production support from bump-in to closing night.
Brand Activations
Immersive lighting that brings brand experiences to life on the floor.
Our reputation is built on delivering consistently and being easy to work with, every time. We’ve delivered work for Queensland Theatre, QPAC, Opera Queensland, Queensland Ballet, Brisbane Powerhouse, HOTA, the City of Gold Coast, the Empire Theatre, Wynnum Fringe and BLEACH* Festival, among many more. Read more about our corporate event lighting and theatre lighting hire.
Frequently asked
- 01 Do you work with our AV and staging vendors?
- Routinely. We integrate with the AV, staging, audio and content teams and take cues from a single stage manager. We’re used to being one vendor in a larger production.
- 02 Can you light for broadcast or live stream?
- Yes. We balance the rig for the room and the camera, and provide separate broadcast and FOH looks where the feed needs it.
- 03 How do you handle a multi-night season?
- The show is programmed, documented and locked. Every performance runs from the same file with an operator on the desk, consistent from preview to close.
Planning a conference, gala or season?
Send the run sheet and the dates and we’ll talk through the lighting and come back with a quote.